But the general vibe of The Gunk’s world undoubtedly helps fill some of the mechanical gap that may have otherwise started to feel tedious deeper in. That’s not a huge surprise when your only movement mechanics are pretty much “walk” and “jump,” and your combat options are largely limited to sucking (as well as a slowly recharging stun blast that’s more commonly used to shoot puzzle objects outside of combat than it is to hit enemies). While each area succeeds at keeping these simple activities interesting with new ideas, be that constantly spinning platforms or enemies in tricky to reach places, they’re never really made overly exciting either. There’s also some extremely light combat scattered throughout those platforming sections in the form of small gunk monsters you can destroy by sucking them up and shooting them back out, as well as slightly larger ones that are stuck in place firing rocks at you until get up close and rip them off their base. It never stops being entertaining to clear out a bunch of gunk in order to allow a plant to grow and help you up a ledge, or to pull a switch that could twist a platform into the correct orientation you need to get across a gap. The actual platforming and puzzles themselves are fun too, if not necessarily complex or varied enough to ever give something like a Mario game a run for its money.
The Gunk is a really lovely game, both in its vibrant alien terrain and the absolutely fantastic soundtrack that makes wandering those areas a beautifully meditative exercise at times. You’ll be holding down the right trigger a lot as you suck up every blob in sight, and cleaning an area entirely will cause it to miraculously spring back to life in a way that’s always satisfying. The vast majority of this adventure is spent either progressing down linear paths or hopping around small puzzle areas, and in either case you’re usually getting rid of all the gunk you see or trying to reach a switch in order to open up the next route.
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